A.E. Cremer Paris Blue Fresnel Theatre Spotlight Floor Lamp | 1950s Studio Light on ori Steel Tripod

A.E. Cremer Paris Blue Fresnel Theatre Spotlight Floor Lamp | 1950s Studio Light on ori Steel Tripod

€669,00
Skip to product information
A.E. Cremer Paris Blue Fresnel Theatre Spotlight Floor Lamp | 1950s Studio Light on ori Steel Tripod

A.E. Cremer Paris Blue Fresnel Theatre Spotlight Floor Lamp | 1950s Studio Light on ori Steel Tripod

€669,00

Shipping costs calculated at checkout

Worldwide shipping with Tracking
Non-EU customers: local import duties may apply
14-day return policy
packed and shipped within 3 days

A rare blue A.E. Cremer Paris theatre spotlight from the 1950s, complete with its original barndoors and ventilation tray, mounted on a matching A.E. Cremer steel tripod. An eye-catching, fully adjustable statement lamp for a loft, restaurant, retail space, or living room.

At a glance

Manufacturer A.E. Cremer, Paris, France
Produced 1950s
Finish Original blue hammered paint, with visible signs of wear
Barndoors Original, included, easily removable
Ventilation tray Original, still present, a rare surviving detail
Lens Fresnel lens, adjustable fitting: spot-to-flood via original knobs
Wiring Rewired, original E27 fitting retained, approx. 3m cable, inline switch, EU plug
Bulb Compatible with any standard LED or incandescent bulb; bulb shown in photos included
Adjustability Housing adjustable in every direction
Tripod Original A.E. Cremer Paris steel tripod, fully restored, original signed bolts retained
Spotlight dimensions 38 x 30 x 26 cm (15" x 11.8" x 10.2")
Total height (adjustable) 165–240 cm (65"–94.5")
Availability One of one, once sold this exact piece will not return
Import duty Payable by the buyer in their own country

 

The story

A.E. Cremer was founded in Paris around 1920 by André Cremer, and later passed to his son William, who carried the business through its strongest years. Through the 1950s, Cremer spotlights lit the great Parisian revues, along with film and television productions, at a time when Paris stood at the centre of European stage and screen lighting. The company held on until 1977, unable to keep pace once quartz-halogen "torch" projectors began to replace the older Fresnel-lens designs across the industry, but the fixtures it left behind are still sought after by collectors, set designers, and lighting professionals today.

This particular spotlight stands out for its colour. Where most surviving Cremer units turn up in black, this one carries its original blue hammered paint finish, a variation that makes it a genuinely uncommon find within an already sought-after range. Stamped into the housing is the mark Bté SGDG, short for "Breveté Sans Garantie du Gouvernement," a French legal patent marking used by manufacturers from 1844 until it was officially discontinued in 1968. It is not a model name but a mark of authentic period manufacture, a small detail that confirms exactly when and how this fixture was made.

The Fresnel lens in combination with th adjustable fitting at the heart of the fixture works by sliding the bulb closer to or further from the lens, letting a single spotlight throw either a tight, focused beam or a soft, wide flood, adjustable using the original knobs. The original barndoors, the hinged metal flaps once used to shape and control the spread of light on stage, are present and can be left in place for the full theatrical look or removed for a cleaner silhouette. The original ventilation tray, designed to let heat escape safely during long hours under stage lighting, has also survived, a detail that rarely makes it through seventy years of use intact.

We mounted this spotlight on its matching A.E. Cremer steel tripod, fully restored and still carrying its original signed bolts, a rare case of spotlight and stand surviving together from the same maker. The tripod's telescoping steel legs allow the whole piece to be adjusted from just over head height to well over two metres, giving it real presence as a floor lamp.

The spotlight has been rewired for safe home or studio use while keeping its original E27 fitting, with a new inline switch, EU plug, and roughly 3 metres of cable, so it accepts any standard LED or incandescent bulb. The one shown in the photographs is included.

Suited to collectors of theatrical and cinema lighting history, interior designers and set decorators looking for a genuine, working piece of French stage history with a distinctive colour, and anyone furnishing a loft, studio, or living space who wants a large-scale lamp with real presence and a story to match.

You may also like